AbstractGrammatical and jurisprudential studies have not neglected to study and analyze the verse of ablution (Wudu) from different aspects, but in this research we have sought to monitor new angles - which we believe have not been seen by researchers before - that reveal the aspects of parallelism whose standards God Almighty has established in a fixed manner in all the linguistic details of the text. This research attempts to shed light on the contextual structure of the two parts of the verse and to reveal the precise agreement and contrast between its sounds, syllabic formations, words and structures, and certainly such a comprehensive approach in studying the text leads us to results that may contribute to understanding the precise legislation of the verse of ablution (Wudu).
نداء ذي النون (عليه السلام) وجوابه - دراسة في الدلالة الصوتية للآيتين 87-88 من سورة الأنبياء
Tasnim International Journal for Human
Vol. 2
Issue 5
295-331
2023
نداء ذي النون (عليه السلام) وجوابه - دراسة في الدلالة الصوتية للآيتين 87-88 من سورة الأنبياء
Thun-Nuun's (prophet Jonah) invocation is distinguished from other invocations mentioned in the Holy Qur’an by the manner of its performance, it's complex contents, and what it contains of unique events in the origin and facts of their occurrence, and what is included in response of the mercy resources whose effects extend to eternity, therefore we are not surprised that this invocation is characterized and it's response with Phonetic characteristics that are fully consistent with its importance and role in developing educational values that regulate the faith relationship between the human and God. The research was keen to explore the depths of the Phonetic system that stands behind the two ideas of the invocation and the response contained within verses 78 and 88 of Surat Al-Anbiya, and what it It includes of rhythmic laws and levels that are consistent in acoustic paths with the nature of the events that caused them. Certainly, the phonetic systems and rules that establish the Qur’anic text are so complete and vast that our created comprehension do not surround them, but seeking to reflect on one aspect of them is better than ignorance in their entirety. And then, our research study came in an attempt to reveal the phonetic significance arising from the intensity of the Presence of some of the characteristics of the Phonetic in the face of the corresponding characteristics receding , and to demonstrate the effect resulting from the repetition of the phonemes within the contexts of events and the benefits achieved from the meanings of the phonemes and their performance methods that give the text a vitality and reporting strength.
المقطع الصوتي /ن ـُـ ــُ ن/ في سورة القلم
Journal of Al-qadisiya in arts and educational sciences
Vol. 22
Issue 3
163-196
2022
المقطع الصوتي /ن ـُـ ــُ ن/ في سورة القلم
أ.م.د دريد عبد الجليل
Journal of Al-qadisiya in arts and educational sciences
SummaryThe Holy Qur’an stands on top of the Arabic literature races in its celebration of the sound (n) in its various forms and representations distributed according to phonological and rhythmic systems, in which a creature should not surround all the relationships and secrets of it, or count the miracles it contains because it is based on accurate calculations that are not subject By chance, it is also used to build tonal foundations and contextual clues that contribute to organizing the buildings and verses of the surah.Perhaps the presence of the sound (n) in Surat Al-Qalam was characterized by the opening of the surah with it, and its close connection with various substantive and artistic joints in it, and the emergence of his rhythmic images and various representations in their striking and distinct semantic contexts that were organized in phonemic frameworks that coincided with the importance of its opening which was not just an entry or title to the surah. It is more like the hidden soul of the surah and the pulse of its flowing body.This opening was unique in many characteristics, starting from his drawing which was not based on the image of his name (Noon), but according to the unified phonemic image that combines (the letter "n" and tanween) in the syllables formations that are embodied by the contoid /n/ , and passing By appearing once in the Qur’an in the opening positions in the cutting letters without repetition or contact with other letters, and ending with the repetition of the appearance of the syllable /nuun/ in five of the endings of the verses in the surah within semantic contexts that narrow on one side to specialize with the topics of the surah and expand on the other side to build bridges linking the meaning the verses in the surah in proportion to it in the other verses in surahs of the Qur’an which are marked by the appearance of the syllable extended /nuun/ itself in the endings of it .
النظام الثلاثي في سورة الفاتحة دراسة في هندسة المقاطع الصوتية
Journal of Al-qadisiya in arts and educational sciences
Vol. 21
Issue 1
289-324
2021
النظام الثلاثي في سورة الفاتحة دراسة في هندسة المقاطع الصوتية
أ.م.د دريد عبد الجليل
Journal of Al-qadisiya in arts and educational sciences
تزخر كتب السيرة النبوية بما جادت به قرائح الشعراء العرب من نصوص شعرية تغنت بشمائل المصطفى(ص) وجسدت أقواله ورصدت أخباره في شتى صورها ، وقد أسهمت كتب السيرة إسهاماً فاعلاً في جمع ما تفرق من تلك النصوص ونقلها وإيلائها حقها من العناية والترتيب بما ينسجم وأحداث السيرة النبوية التاريخية . والمتتبع للمواضيع الشعرية التي تناولتها تلك النصوص يجدها تنقسم على قسمين :أحدهما كان يحمل في ثناياه سفراً من مواقف الرسول الأكرم(ص) أو وصفاً لمآثره وما رافق حياته الكريمة من أحداث ، وفد تميزت صوره بأنها كانت -إلى حد ما- منسجمة مع ما سبق إليه القرآن الكريم والروايات التاريخية من رصد وتوصيف ، فلم تخرج مضامينه ورؤاه عن تجسيد المشاهد الواقعية المتعارفة ورصد الأحداث والمواقف التي كانت في متناول الجميع وقتذاك ، بمعنى أن الشاعر كان في أغلب نصوصه تلك يتحرك ضمن إطار الوعي الجماعي إسهاماً منه في توثيق سيرة المصطفى(ص) شعرياً .
الأثر الدلالي لتنوع المصوتات في القراءات القرآنية
QURANICA - International Journal of Quranic Research
Vol. 7
Issue 7
1-27
2015
الأثر الدلالي لتنوع المصوتات في القراءات القرآنية
أ.م.د دريد عبد الجليل
QURANICA - International Journal of Quranic Research
There is a consensus among the old phonological studies that the origin of the sound " L" is (Ŀ) lightness . And it cannot made (L) toughen except in special environmental phonemic cases . In fact toughen and lighten of the sound " L" are ruled by special phonological principles . As for the toughen of the sound " L" it restricted to two cases. The first it is (L) toughened in the word God "Allah" , if the later placed after (u) or (a) , but it is (Ŀ) lightened with (i) .However , the Egyptians have taken the second case of the direction of toughening the consonant " L" . They see that is has to be toughened when it is accompanied with (a) and preceded by one of the three consonants (Ș) , (Ţ) and (D) .The study aims at studying the toughening of the consonant "L" in the Quranic readings through the resent phonological school in order to focus on the toughened , neutral and lightened syllables , and pointing at the effect their pronunciation in speech .